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A collection characterized by the combination of two volumes, an upholstered shell that continuously wraps the large seat cushions. Curved shapes enhanced by the total absence of edges and the softness of the fabric, a sensory stimulus embellished with a quilted decoration where the thread, like a pencil, marks an elegant three-dimensional geometry. Redondo, in the design, is inspired by the upholstered interiors of American cars of the 1950s and 1960s, the soft shapes of the bodywork, the on-the-road comfort that accompanied on long journeys between the East and West Coast. For the viewer, the point of view is that of a stage where small everyday stories happen. Wooden frame covered with differentiated density polyurethane foam. Net supports adjustable in height, the feet are in black polypropylene 70mm. It can only contain mattresses with European standard sizes. The fabric used to cover the collection is quilted to a design by designer Patricia Urquiola. Redondo beds are removable.
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A sofa, a variable landscape made up of elementary shapes in dynamic relationship with each other. Patricia Urquiola deconstructs the classic sofa, redesigns it starting from a synthesis of surface. Essentiality, definition, dynamism and transformation thus become the trait d’union that unites formally separate elements: seat, backrest, armrests are modules to be coordinated, combined, reconfigured indefinitely. The designer, in 2000, anticipates what today is taken for granted, designing in the future a system that becomes a single body, a project that goes beyond modularity as a function for maximum compositional freedom dedicated to comfort and elegance. Upholstered headboard and bed sides. It can only contain mattresses with European standard sizes.
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Диван, изменчивый ландшафт, состоящий из элементарных форм, динамично взаимосвязанных друг с другом. Патрисия Уркиола разбирает классический диван, модернизирует его, исходя из синтеза поверхностей.
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A narrative path that represents the natural continuation of the language expressed with the Lowland project. The central element of Highlands is movement, the possible verticality inherent in the characteristics of the armrests and backrests. Two possible positions, a sinuous movement, almost organic, never mechanical or performing. Plasticity that determines an inevitable modularity of the elements. A strong expression of the surfaces is the combination of the coverings, the cutting solutions, the sewing details of the covers, and the sartorial care with which they are made. A tribute to the spirit-couture of the textile attitude shared by both the designer and the company itself. Reclining headboard and padded bed sides. They can only contain mattresses with European standard sizes. The Highlands collection is removable.
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Повествовательный путь, который представляет собой естественное продолжение языка, выраженного в проекте Lowland.
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